Olivetti

Olivetti

Wednesday, 27 February 2019

Influenced

     The mud had spattered on my jeans like droplets of brown blood.  The summer rain had eased off, but the shaded woodland path still squelched softly underfoot as we headed in the general direction of my home.
     ‘It’s hardly raining now, man,’ I said, ‘do you fancy heading back to the main road?’
     ‘Don’t know, mate…could see what is just around this bend…no really up for traipsing all the way back eh?’
     ‘Fair enough, man,’ I said, ‘hopefully it brings us out to just behind Coaltown as then we’re only ten minutes from the house.’
     Turning the corner, we stopped and saw an old, ramshackle farm cottage up ahead.  We stood and listened.  The birds chirped periodically and long since forgotten about sheets of rusty, corrugated iron creaked gently in the moist breeze.
     ‘This is the soundtrack of murder, man,’ I said, ‘c’mon mate, let’s no stick about…I don’t like this at all!’
     ‘Eh, what you on about, mate,’ Frank replied, ‘it’s just someone’s house…I bet that road there gets us back home in no time.’
     I stepped back and crushed a faded pink coca cola can with my foot.
     ‘Here, what’s that smell?’ I said as I pulled the neck of my Fred Perry jumper over my mouth and nose.
     ‘I’m guessing that’s the outhouse, mate,’ Frank jokingly replied.
     The wind began to pick up causing the strips of heavy plastic sheeting over the bottom level windows of the cottage to ripple violently at us.  The surrounding barren landscape spread out motionless by our sides.
     ‘Don’t know if I’ve watched one too many horror films, mate,’ I said, ‘but I’m telling you this now, there is no way I’m going any further, man!’
     ‘Couldn’t agree more by the way…looks like they may have dogs as well judging by all this foul excrement lying around,’ Frank said pointing to the ground.
     ‘Right, mate, let’s just get back to the main road and take the long way home,’ I said.
     ‘Sounds like a plan.’
     ‘In fact, scrap that, let’s go back to Milltown for a pint, and then get a taxi.’
    ‘Even better, mate,’ he said nervously.
     We took one last look about before slowly backing away to retrace our steps. 
     A child’s mitt lay half submerged in a pool of stagnant water within an old tyre.
     The birds had stopped chirping.


Tomas Bird - A Meadow Like Path 2018

Wednesday, 13 February 2019

Second Hand Opinions


It’s been a year – maybe more – since I’ve turned to the poem.

Many things have changed; many more have not.

Black coffee still stains my teeth;
still kick-starts my eyes to life with its fair trade boots

as I wait for the sky’s pastel palette to yield hope.

And as I wait, I listen to Miles Davis
as he blows and blows smooth jazzy madness
over and over and over,
and my ears covered feel fuzzy-warm
and suddenly…YES SUDDENLY

I understand

how it offsets the mad irregular clicks
in my back bone as I hunker awkwardly over keys,
as I tap tap TAP and reconcile stale and fatigued portfolios,

as I blind myself into the dark of night over masked taped
paper trying desperately to capture the image before me;

determined to bolster my profile across all mediums.
I’m trying to teach myself patience; trying to dissect
what is really before me; trying to make sense of the numbers or the image;
trying trying TRYING,

always trying to understand the souls
that weave uncertainly into my life like mad clowns
on oval-wheeled machines.

I get to set the rules of how to wow the paint,
of how to bow before the colours as they land,
absorbing the beat, my feet tap the rhythm of the strokes brushed;

I let the music help me and guide me and woo me.

I listen eagerly!

Each piece ties into one constant,
into a singular pulsing thought,
onto a hook, pierced and throbbing

and then I pull and pull and reel and pull
whatever it is I’m searching for in towards
me so I can grab it and club it into submission
with a resounding dab or stroke or full stop of finality, 

and when it is over,
I let the wooden eyes of life
splinter a glance over my work

and say good job.


Tomas Bird - Apple Fire